Best for
AI ethics units, media literacy, visual arts discussion, and reading-to-write tasks about authorship, bias, and cultural safety.
Digital Technologies / English / Visual Arts • Years 9-11 • Ready to use tomorrow
Use this handout to help ākonga read critically about AI-generated art, creative ownership, consent, and cultural integrity. It is designed for classrooms where students need to move beyond “AI is cool” or “AI is bad” and weigh who benefits, who is harmed, and whose work or tikanga may be overlooked.
Start with the shared reading and questions, then move into Te Wānanga to adapt the task for your class, school context, or local examples.
This handout works best when the reading is tied to explicit curriculum expectations around evaluating ideas, responding to texts, and discussing digital technologies ethically. Use the companion page to make those links visible in planning and reporting.
Generative AI can imitate visual styles quickly, but speed does not remove questions of authorship, consent, or tikanga. In Aotearoa, discussions about AI art should include who made the original work, whether permission was given, and how taonga tuku iho and Māori creative expression are being treated.
Good critical reading here is not just about identifying “pros and cons”. It is about asking whose labour, stories, and creative whakapapa are being used, and whether the technology respects those relationships.
As you read, highlight or underline information about:
Level 4–5: Read and evaluate non-fiction texts about AI and creative work; identify ethical arguments about authorship, originality, and consent; form and support a personal position using textual evidence.
Level 3–4: Understand how technology shapes relationships, power, and identity within communities; evaluate the impacts of digital innovation on society and culture. Explore questions of cultural appropriation and intellectual property in digital contexts; understand how AI-generated art affects creative communities and economies.
Toi Māori — Māori artistic practice — is inseparable from whakapapa, tikanga, and the communities who carry those traditions. When AI systems are trained on images of tā moko, kōwhaiwhai, or tukutuku without consent, this is not just a copyright question — it is a violation of mana and a form of cultural extraction. Students engaging with this reading are equipped to ask: Who gave permission? Who benefits? Who is harmed? These are the questions that mātauranga Māori has always asked of those who take from others.
After reading: What is one thing in this text that surprised or challenged you? What question would you want to ask the author?